Friday, April 28, 2017


Before we dive in here, I wanted to acknowledge the passing of director Jonathan Demme this week at the age of 73. He was a very talented director and seemed very smart and compassionate. I'm not terribly well versed on his filmography, but Silence Of The Lambs had a tremendous impact on me. There are scenes etched in my brain from my very first viewing. My heart goes out to his friends and family and the fans he touched with his art. Rest in peace.

"I'd rather confuse the audience for five minutes, than bore them for five seconds." -JD

Thomas Harris' novel Silence Of The Lambs is a chilling and engrossing novel about FBI trainee,
Clarice Starling, who inadvertently becomes embroiled in the Bureau's attempt to capture the serial killer known as Buffalo Bill. It starts with a chance to prove herself to Bureau director Jack Crawford by getting incarcerated serial murder and cannibal Hannibal Lecter to participate in a questionnaire. Starling and Lecter soon find themselves engaged in a wild and frightening chess game with a young woman's life hanging in the balance. Lecter offers Starling his aid in capturing Buffalo Bill, but there's nothing altruistic about his help.

Hannibal Lecter was originally introduced in the novel Red Dragon appearing in much the same capacity; incarcerated in the Baltimore State Hospital For The Criminally Insane, being sought for his help in capturing a killer known as The Tooth Fairy. In Red Dragon, though, it's not an inexperienced FBI trainee that dummies into Lecter's help, but a seasoned FBI profiler, what's more, the profiler, Will Graham, has a dark history with Lecter. Graham captured Lecter, but nearly died and subsequently quit the Bureau. Crawford drags Graham out of retirement to capture The Tooth Fairy and Graham reluctantly turns to Lecter-once a brilliant psychiatrist with a taste for human flesh.

Red Dragon is a fantastic novel, dark and chilling, full of characters that we still can't get enough of twenty-six years later. The book was adapted into a great, if a bit reductive, film by Michael Mann in 1986. The title was changed to Manhunter, fearing it would be mistaken for a kung fu flick. Lecter was played by Brian Cox (X-Men 2). The film was met with mixed reviews, but over the years has become a cult favorite. As good as the movie was, it was light years away from the phenomena that the Silence Of The Lambs would become.

Jonathan Demme was the director that ultimately ushered Silence Of The Lambs into cinemas after Gene Hackman backed out due to the overt violence. Demme was an odd choice for such dark material as his previous films had been off-beat comedies, but he got the material and with an already on board Jodie Foster, he was about to capture lightning in a bottle.

Foster campaigned for and won the role of Starling, while Jack Crawford was played by Scott Glen (Netflix's Daredevil) and Ted Levine (Shutter Island) was cast as Buffalo Bill aka Jame Gumb. There was an exhaustive search for who'd play Lecter and Demme found the perfect fit in British actor Anthony Hopkins. The behind the scenes/making of story of Silence Of The Lambs is well documented. In fact, the newest Blu Ray that you can pick up at Target for less than $10 has a handful of excellent featurettes that are worth every second of your time, beyond that there's the film's Wiki and IMDB pages. So let's skip all that and get down to the focus of our latest review series; Hannibal the Cannibal.

The novel Red Dragon gives us far more insight and background for Lecter than Manhunter does, but the character is far more fleshed out in Silence Of The Lambs. I've liked Brian Cox in everything I've seen him in and really liked him as Lecter as well, but I saw Silence first, so Hopkins was imprinted in my brain as Lecter and it took several viewings before I was able to fully appreciate Cox in the role. That said, Hopkins is the stronger Lecter for a number of reasons; the size of the role, the richness of material, the quality of the film, increased fleshed out source material, amount of screen time...Hopkins had no shortage of advantages over Cox, but primarily he was simply the better choice for the character. It's a role Hopkins was born to play and he did so in three films darkly delightful.

It's important to note, and I think it gets forgotten more than two decades later with Hannibal a household name, that Hopkins was not the main star of Silence-that would be Starling and it's Foster's stellar performance that propelled Hopkins' performance to the cultural heights we know today. I hate to imagine anyone else sitting on the other side of that plexiglass from Hopkins, because it is just too good watching them verbally spar. When he starts mocking her southern accent, it's not just the character Starling about to jump out of her skin, but the actress Foster. The two are so deep in their roles and so good at what they do! Which is why it was such a disappointment when she didn't return for Ridley Scott's Hannibal. Her replacement, Julianne Moore, who I normally love, suffered the same fate as Brian Cox for me, having to fill a role I couldn't imagine anyone else playing.  She's an accomplished and talented actress in her own right and doesn't deserve to be held to anyone's standards but her own and she still turns in an excellent portrayal. Also, the movie succeeds on many other levels as well.

Back to Silence Of The Lambs, the film was released in February 1991 and as the year went on and the film built a reputation and gained popularity, it became clear that the hero of the film was being eclipsed by the monster, and not even the main monster. Buffalo Bill is the main antagonist of Silence, while Lecter's story is more of an ongoing sub plot carried over from Red Dragon. Public interest made Hannibal the focus of Harris's next two novels, Hannibal and Hannibal Rising (a prequel/origin story). But why?

We love our monsters. We go don't go see Friday The 13th for the camp councilors or Frankenstein for the good doctor. Our monsters can reflect our real life boogy men-recession, divorce, abuse, war- while their defeat provides a moment of catharsis or their crimes and transgressions can be the catharsis for all of our inner angst that we have to push down and bury in our hearts and psyches. Hannibal is not like Jason. Jason can be our school bully or he can be us. Hannibal can't be imprinted on in the same way. We're not half as smart as Hannibal and our bullies and bosses sure as hell aren't either. Hannibal is this uncanny other. More real than Jason or Frankenstein's monster, because he's not a cultural archetype. His DNA is in real life serial murderers and he's infused with an intellect that's awe-inspiring, but not wholly unbelievable. He's in equal measures alluring and repulsive. As a villain, he has far more in common with Sherlock Holmes' Doctor Moriarty-a superior intellectual superman always one step ahead of the good guys, made all the more real by his flaws and weaknesses. He's egotistical and prideful and for all machinations he still wound up in a cage. Somehow, the way both Harris and Demme portrayed Hannibal in his cell with the whole institute on high alert where he was concerned made him so frightening.

The film spends ten minutes talking about Hannibal before we finally see him. Demme builds suspense and tension for Hannibal's big reveal like Hitchcock on steroids. When we finally see him, he's a friendly looking (at first glance), middle aged man with a warm smile. It's only after we have to spend some time with him that we realize that he's not blinking. That's not a smile, not a human smile, but more like the illusion a cat's smile gives us-there's no joy, that's just the face of an apex predator. In addition to his eloquent speech, he has impeccable manners, but he's always toying with the edges some immoral and perverse word play or riddle. There's a crudity to the man that's like a dirty, moldy wall covered in layer after layer of good paint. He toys with the film's characters like a cat that bats around a mouse for fun. He could snuff them out effortlessly, but he enjoys the game.

Neither the success of the novel or the success of the film can be solely attributed to Hannibal though. As magnetic as the character is, Moriarty needed Holmes and Hannibal has a host of adversaries worthy of him. Graham and Starling, with Jack Crawford, Alan Bloom, (Alana Bloom for TV), and others to a lesser extent either put Hannibal away or kept him running. In Clarice Starling, Harris created a great spoil for Hannibal, Buffalo Bill, and the powers that be in the FBI. Silence Of The Lambs and Hannibal.
Starling could have come across like a Nancy Drew, but Harris crafted a believable and sympathetic heroine. Starling has the smarts, a strong, fierce drive to succeed, and a natural goodness inside her that take her a long way with her Bureau training and then it's her wits, her intuition, and in equal measures her bravery and ability to control her fears that ultimately saves the day. She's no Sherlock Holmes or Jason Bourne, she's someone we can believe in. We can believe in her smarts, her intuition, her endurance, her vulnerability, and her strength. Starling is the heart, the engine of Silence Of The Lambs and Hannibal.

In the next installment we'll look at the book and film Hannibal before backing up to the book and remake of Manhunter, Red Dragon, since that was the order the Anthony Hopkins led films were shot in. Following that, I'll dig into both Hannibal Rising and Manhunter, while Popshifter's Leslie Hatton will join us for a look into Bryan Fuller's excellent TV adaptation, Hannibal.  


Thursday, April 27, 2017


Wanna win a copy of this gorgeous and exhaustive tribute to our favorite monsters on film? All you gotta do is comment below with your favorite monster! Winner will be chosen at random Sunday night!

Friday, March 31, 2017


The wait is over, fiends, my new collection of horror shorts is out today!

You can go to Createspace directly right HERE or order from Amazon or your local bookstore.
ISBN 978-1543039016

From the author of the horror-noir City Long Suffering, comes a collection of horror stories that takes on much of what the genre has to offer, from body horror, to the supernatural, to the paranormal, to the occult, and beyond.

Motel On Fire is a book of journeys-some physical, some mental. It is a travelogue of terror, zig-zagging across America.

"The stories in "Motel on Fire" are short exploratory surgeries, deep cuts exposing the stinking, poverty-stricken heart of hell. Filled with gangs, nuns, demons and desperate people, "Motel on Fire" is horror without compromise. Violent without shame, terrifying without regret, each turn of the page will have you wincing in expectation of what's coming next. Murr has hit his stride with this collection, and "Motel on Fire" should put him on the map. Read it if you've got the balls." 
--Jeffery X Martin
Author of "Parham's Field" and "Hunting Witches"
copyright 2017 Stephanie Murr

Wednesday, March 15, 2017


My favorite director David Cronenberg turned 74 today, so to celebrate this edition of Trailer Park is dedicated to his filmography. Enjoy, fiends!
Shivers 1975
Rabid 1977
Fast Company 1978
The Brood 1979
Scanners 1981
Videodrome 1983
The Dead Zone 1983
The Fly 1986
Dead Ringers 1988
Naked Lunch 1991
M. Butterfly 1993
Crash 1996
eXistenZ 1999
Spider 2002
A History Of Violence 2005
Eastern Promises 2007
A Dangerous Method 2011
Cosmopolis 2012
Map To The Stars 2014
And as a bonus, the trailer Cronenberg directed for his debut novel Consumed
And a great scene from Clive Barker's Nightbreed featuring Cronenberg as the nefarious Dr. Dekkar

Thursday, February 16, 2017


Director Izzy Lee, who made the great INNSMOUTH, which is streaming on Shudder now (read my review HERE), A FAVOR, POSTPARTUM, and PICKET just got her first Official Selection for the Chattanooga Film Fest for her short FOR A GOOD TIME CALL... which stars Diana Porter (INNSMOUTH) and Tristan Risk (INNSMOUTH, AMERICAN MARY). Like all her work, it's a challenging, creepy, and punk-as-fuck piece of transgressive cinema.

The film starts with an asshole (played with considerable sleaze by Sean Carmichael) hiding a camera in his room before having sex with a woman (Porter). He then leaks the video to the internet and the woman is shattered. He plays dumb, of course, has no idea how the video got on the web, naturally! And he's really broken up by how upset this woman has gotten-so upset, in fact, that he doesn't hesitate to follow another woman into a public toilet at a rest stop.

"I hope something very bad happens to you,"Porter's character had said before the next woman appears.

And then things get...dark.

All I'm going to tell you is that Tristan Risk is scary here. The make up FX is superb and the story, as a short film, combines technology with urban legend come-to-life. It calls to mind one of the morality stories from TALES FROM THE DARKSIDE, but with a far more pronounced since of the fucked up. I love it.

Any and all accolades Lee receive are earned and deserved. She absolutely kicks ass as a director and writer. On the heels of the Chattanooga Film Fest announcement came the news that INNSMOUTH also got an Official Selection nod from Mad Monster Party in Charleston SC.

To see the teaser follow the link HERE to view it on Vimeo and you can follow Lee on Twitter @NihilNoctem. 


Let's take a road trip back to Elder's Keep. Back to the mysterious hills and hideaways of East Tennessee. A place of beauty and heavy history. A haunted place. Haunted even before the Cherokee got there, probably. A place where I grew up. Author Jeffery X Martin grew up there too.

So connected to the dirt beneath his feet, my old friend Jeff started weaving tales about Elder's Keep, or The Keep, in his first short story collection, BLACK FRIDAY. He brought us back to The Keep with HUNTING WITCHES, a novel. Both journeys were chilling, emotional, and as haunted as those green hills. Now he takes us back with his newest story, a novella, that just went live on Valentines Day, which was eerily fitting.

The story opens with a murder. I'll leave it at that. Then begins the investigation, heading by sheriff Graham Strahan and accompanied by Joseph "Josie" Nance, who runs the Elder's Keep Historical Society. The murder occurs in Parham's Field, a place everyone in The Keep knows to stay out of. The details of the murder has Strahan stumped and he turns to Josie for some help. It's Josie that suggest they go talk to the shut in, Dr. Parham, who Strahan just assumed was dead, as his house and property had been in disrepair for as long as Strahan could remember.  They pay a visit to the old doctor together, just to ask a few questions, but nothing is ever simple in The Keep, and the men get a tale nothing could have prepared them for.

PARHAM'S FIELD is such a tightly, well crafted, and tragically beautiful slow burn of a story, that I found myself bouncing along to the book's own unique rhythm and getting lost in a narrative that's part family history, part police investigation. This isn't a mystery, it's, as the doctor says, a confession. Jeff pushes the needle towards the red ever so gently, ever so slightly, building a sense of dread from page one-which you'll carry with you anyway if you've read either of the previous books-and then holds the tension until what you find is undeniable, regardless of where your mind may have been at the beginning. Vague, I know, but I feel it's important to guard the book's secrets. Let Dr. Parham tell them to you, after all, it's his story to tell.

On a couple of personal notes, Jeff's wife finished the book in tears and refused to talk to him for the rest of the night. I think that's important to know going in. "It gets dark," Jeff said. Yes it does. Also, there's a bit about a church in a place called Wheat. That church is said to be haunted and I personally tried to break in there when I was 18 or 19 to see if it were true, had my friends and I speeding away from the area at 100 MPH. A little midnight ghost hunting lead to a wrong turn and we found ourselves on restricted government property. Kids.

I'm giving PARHAM'S FIELD my highest recommendation. You don't need to have read the previous two books to get into it, but they're so good as well, there's no reason to skip them. You can order your copy HERE